One of the more poignant stories I’ve heard this week, as the media performs its annual retrospective of terror, is an NPR StoryCorps interview with Vaughn Allex, the poor fellow working the American Airlines front desk who checked in everyone on Flight 77. He remembered all of the other people he’d checked in—an older couple, a student tour group—and two men running late, who turned out to be the terrorists responsible for crashing the plane into the Pentagon. His guilt was like a millstone about his neck.
Then there was another profile, this time in Esquire, this time about the iconic photograph Richard Drew captured of a man hurtling through space after jumping from the molten crown of the Twin Towers. Its subject, dubbed “the Falling Man,” inspired a search among that Tuesday morning’s victims to uncover an identity—a name, a story, anything that would fill in the heart-stopping vacuum of space in which he dives death-ward.