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Cat Head

The joys and exhaustion of becoming a college mascot


Tuesday we hosted an event on campus to kick-off our month-long “I Love WCU” celebration. We set up a couple of tables at the university center, we hand out cookies, we generate good will. It’s a fun event, and the most worthwhile part is hearing from students about the things they love most about their alma mater.

The unexpectedly fun part, though, came after the fellow who normally plays Paws, the WCU mascot, called in sick. Rebekah, one of my colleagues, called to let me know. Back in November, Rebekah portrayed the mascot herself in a commercial we produced for Giving Tuesday, but she suggested this time I should don the suit instead. I was wary at first, and later I would find out why she was happy to pawn this off on me, but eventually I agreed. The athletics staff delivered the mascot costume, and I jumped in.

Well…jumped isn’t exactly the right word. You have to carefully strap into the get-up. It took probably ten or fifteen minutes to get it all assembled–not that it’s that difficult, but mostly that the more implements you put on, the fewer fine motor skills you have left. It’s a bit like a band uniform–overall bottoms, covered by a pull-over top (padded, muscular, not English-major-ish at all) that are directly connected to the cat’s hands. You strap on humorously large sandals that are its feet, and you pull on an oversized head connected to a football helmet. Once you’re in, you’re in. There’s no quick exit.

There’s an opening in the cat’s mouth about the size of an iPhone that lets you see out–but even that is covered by black, mesh fabric. The interior carries the lingering smell of a sweaty locker room. When fully assembled, the costume renders you into a human baked potato. I was sweating before I finished getting dressed.

The Many Choices Observed in Terminal D

If you see something, say something.


On an early Sunday morning, sun rising over the skyline, the airport is a full spectrum of humanity, arrivals and departures, a tide of inspiration. Men and women arriving for their morning shifts, raising the gates on shops, punching in key codes and warming up registers. Some have been here awhile; several shops are empty, music blaring out into the terminal hall while the attendant sits behind a counter, scrolling her phone.

The terminal is a sartorial fantasy. Men wearing Hawaiian shirts, silk dress shirts, pressed oxford shirts, crumpled t-shirts. Hats of every kind: cowboy, trucker, straw, felt, beanie, wrap, hood, webbed, baseball, fedora, driver.

There are college athletes ambling through the lanes in packs, noticeable because of their height, pulling mascot-branded luggage, most often in sweatpants or baggy clothes hanging off their frames, tall socks bunched about their ankles, sliders, headphones—always headphones—eyes looking above and away, but not at you.

First Summer on Locust Creek

Scenes from our first mountain summer.


We walk in the evenings, for even in the mountains the days get warm. Once the sun falls past the ridge line, the valley releases into the cool of evening. A simple walk: up the road that leads to our house, up toward the meadow, where the valley floor accommodates a sloped pasture, where on the upper side grows hay, and on the far side the cattle graze.

Golden hour in the Appalachians sets the vista in theatrical light. The tops of the ridges bask in glow; straight down the valley, the broad shoulders of other ridges, still warm, fade into a deep green, then into orange, and then into shadow.

It is certainly warm enough to work up a sweat, but in the evening the settling temperatures tend to stir up a breeze more often than not, and this dappled wind is grace. You can hear it pour down from up the hill, rustling the leaves in a way that tricks your ears at first–is it a car? Is it a sudden rush of water?–before it greets your face. Out here, you can hear the breeze coming just like you can hear any cars long before they appear. Not much else makes much noise.

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